Search results for " IMITATIONS"
showing 6 items of 6 documents
SEM–EDS ANALYSIS AS A RAPID TOOL FOR DISTINGUISHING CAMPANIAN A WARE AND SICILIAN IMITATIONS
2013
The aim of this work is to examine whether it is possible to find chemical markers that allow a distinction to be made between the imported black glossed ‘Campanian A’ and the Sicilian imitation (end of fourth to first century BC) of these productions by carrying out quantitative chemical microanalysis of the slip using the SEM–EDS technique. The efficiency of the proposed analytical method has been tested on a set of ceramic samples corresponding to Sicilian black gloss imitations whose ceramic body has already been characterized petrographically by thin-section microscopy and chemically by XRF. The analytical data point to Na2O as a suitable chemical marker to distinguish between original…
L'ornementation des bracelets de l'âge du Bronze européen : analyse descriptive et perspectives
2013
This paper discusses the ornamental patterns of metal bracelets worn on the arms and legs of people during the European Bronze Age. A method has been specially created to study geometric patterns. Some sets of metal bands (bracelets métalliques) of Bronze Age reach a high level of complexity due to the use of combined patterns in an overall structure. This paper deals with an experimental criterion concerning this phenomenon. The methodology, developed for the purpose i.e. the experimental criterion developed for the purpose of this study, was to extract geometric patterns from the original media. The principle is to release the geometrical compositions of the deformations induced by the mo…
Analyzing and organizing the sonic space of vocal imitations
2015
The sonic space that can be spanned with the voice is vast and complex and, therefore, it is difficult to organize and explore. In order to devise tools that facilitate sound design by vocal sketching we attempt at organizing a database of short excerpts of vocal imitations. By clustering the sound samples on a space whose dimensionality has been reduced to the two principal components, it is experimentally checked how meaningful the resulting clusters are for humans. Eventually, a representative of each cluster, chosen to be close to its centroid, may serve as a landmark in the exploration of the sound space, and vocal imitations may serve as proxies for synthetic sounds.
On the effectiveness of vocal imitations and verbal descriptions of sounds
2014
cote interne IRCAM: Lemaitre14b; None / None; International audience; Describing unidentified sounds with words is a frustrating task and vocally imitating them is often a convenient way to address the issue. This article reports on a study that compared the effectiveness of vocal imitations and verbalizations to communicate different referent sounds. The stimuli included mechanical and synthesized sounds and were selected on the basis of participants' confidence in identifying the cause of the sounds, ranging from easy-to-identify to unidentifiable sounds. The study used a selection of vocal imitations and verbalizations deemed adequate descriptions of the referent sounds. These descriptio…
Productions en série vers 1500 avant notre ère. Des règles de fabrication au Bronze moyen entre la Manche et les Alpes à la lumière d’une étude morph…
2013
Some European Bronze Age objects were produced by what has been described as serial metalworking. One particularexample is the Middle Bronze Age palstave, massively produced and used in Western Europe during the mid-second millennium BC.These artefacts were often voluntarily buried together in hoards, meaning they were removed from the production network, thus avoidingany recycling. They are found intact, either as rough castings or ready for use. These homogeneous objects are grouped in sets of severalitems, or in tens, or even in hundreds. Such discoveries have immediately led to numerous questions as to the possible interpretation ofthis behaviour. It is clear that prehistoric craftsmen …
Sketching sonic interactions by imitation-driven sound synthesis
2016
Sketching is at the core of every design activity. In visual design, pencil and paper are the preferred tools to produce sketches for their simplicity and immediacy. Analogue tools for sonic sketching do not exist yet, although voice and gesture are embodied abilities commonly exploited to communicate sound concepts. The EU project SkAT-VG aims to support vocal sketching with computeraided technologies that can be easily accessed, understood and controlled through vocal and gestural imitations. This imitation-driven sound synthesis approach is meant to overcome the ephemerality and timbral limitations of human voice and gesture, allowing to produce more refined sonic sketches and to think a…